Category Archives: Video

Patron Mono, 2018

Patron Mono, 2018 From the Water Portrait Series / De la serie Retratos del Agua 3 canales /3 channels, HD Video 4.32 min, color, sin sonido / no sound Patron Mono portrays the lower Cauca river canyon, located in the

Patron Mono, 2018

Patron Mono, 2018 From the Water Portrait Series / De la serie Retratos del Agua 3 canales /3 channels, HD Video 4.32 min, color, sin sonido / no sound Patron Mono portrays the lower Cauca river canyon, located in the

To Stop Being a Threat and To Become a Promise / Dejar de ser una amenaza para convertirse en promesa.

To Stop Being a Threat and To Become a Promise, 2017 2 channel HD Video, color and sound 8:03 min Cinematography and Edition / Fotografía y Edición: Carolina Caycedo Sound: Daniel Correa Tejiendo imágenes de hidrografías diversas como los ríos Colorado,

To Stop Being a Threat and To Become a Promise / Dejar de ser una amenaza para convertirse en promesa.

To Stop Being a Threat and To Become a Promise, 2017 2 channel HD Video, color and sound 8:03 min Cinematography and Edition / Fotografía y Edición: Carolina Caycedo Sound: Daniel Correa Tejiendo imágenes de hidrografías diversas como los ríos Colorado,

A Gente Rio (We River), 2016

Installation view at 32nd São Paulo Biennial     A Gente Rio [The People River] (2016), is based on the Itaipu Dam, the second largest hydroelectric plant in the world, and whose process of land expropriation was a catalyst for

A Gente Rio (We River), 2016

Installation view at 32nd São Paulo Biennial     A Gente Rio [The People River] (2016), is based on the Itaipu Dam, the second largest hydroelectric plant in the world, and whose process of land expropriation was a catalyst for

Beyond Control / Mas Alla del Control, 2013-2016

  Performers: Claudia Salamanca, Diego Fletcher, María Leubro, Andres Uribe, Carolina Caycedo and Jorge Caycedo. The choreographed movements of Beyond Control are constructed from visual and theoretical relationships that exist between the construction of dams, the containment of bodies of

Beyond Control / Mas Alla del Control, 2013-2016

  Performers: Claudia Salamanca, Diego Fletcher, María Leubro, Andres Uribe, Carolina Caycedo and Jorge Caycedo. The choreographed movements of Beyond Control are constructed from visual and theoretical relationships that exist between the construction of dams, the containment of bodies of

This Is Not Water / Esto No Es Agua, 2015

video stills Esto No Es Agua / This Is Not Water, 2015 1 channel video HD, Sound and Color Sound by: Daniel Pineda 5’20’’   “This Is Not Water” is the first of a series of short videos that the

This Is Not Water / Esto No Es Agua, 2015

video stills Esto No Es Agua / This Is Not Water, 2015 1 channel video HD, Sound and Color Sound by: Daniel Pineda 5’20’’   “This Is Not Water” is the first of a series of short videos that the

Land of Friends, 2014

Land of Friends, 2014 1 channel HD video Sound and Color, 38’10”   LAND OF FRIENDS, 2014 In order of appearance: Entre Aguas Founder member of Jaguos por el Territorio collective-La Jagua. Member of Beehive Collective and Polinizaciones. Yuma (Magdalena

Land of Friends, 2014

Land of Friends, 2014 1 channel HD video Sound and Color, 38’10”   LAND OF FRIENDS, 2014 In order of appearance: Entre Aguas Founder member of Jaguos por el Territorio collective-La Jagua. Member of Beehive Collective and Polinizaciones. Yuma (Magdalena

Huila’s Bleeding, 2014

  Huila’s Bleeding Carolina Caycedo and Entre Aguas. HD Video, 12 Min In southwest Colombia, rural communities have begun using direct action in their struggle against the privatization of natural resources by multinational corporations. This video, by the artists Carolina Caycedo

Huila’s Bleeding, 2014

  Huila’s Bleeding Carolina Caycedo and Entre Aguas. HD Video, 12 Min In southwest Colombia, rural communities have begun using direct action in their struggle against the privatization of natural resources by multinational corporations. This video, by the artists Carolina Caycedo

Spaniards Named Her Magdalena, But Natives Call Her Yuma, 2013

Spaniards Named Her Magdalena, But Natives Call Her Yuma, 2013 2 channel HD video installation Sound and Color, 27’   Spaniards Named Her Magdalena, But Natives Call Her Yuma, 2013 Artworks in Be Dammed examine the interconnected spheres of legal,

Spaniards Named Her Magdalena, But Natives Call Her Yuma, 2013

Spaniards Named Her Magdalena, But Natives Call Her Yuma, 2013 2 channel HD video installation Sound and Color, 27’   Spaniards Named Her Magdalena, But Natives Call Her Yuma, 2013 Artworks in Be Dammed examine the interconnected spheres of legal,

Humane materiale, 2013

      Installation view at Dispari & Dispari   Installation view at Dispari & Dispari   Made in collaboration with several local craftswomen and craftsmen, Humane Materiale II, is a video installation about contemporary and traditional crafts by Carolina

Humane materiale, 2013

      Installation view at Dispari & Dispari   Installation view at Dispari & Dispari   Made in collaboration with several local craftswomen and craftsmen, Humane Materiale II, is a video installation about contemporary and traditional crafts by Carolina

Offerings, 2011

OFFERINGS, 2011. Urban Intervention. 1000 screen printed candles / 12 designs and printed program booklets / 16 pages.   2009 Creative Time Summit: Revolutions in Public Practice Offerings Living as Form-Creative Time, NYC 2011.   A collaboration with members of

Offerings, 2011

OFFERINGS, 2011. Urban Intervention. 1000 screen printed candles / 12 designs and printed program booklets / 16 pages.   2009 Creative Time Summit: Revolutions in Public Practice Offerings Living as Form-Creative Time, NYC 2011.   A collaboration with members of

Rule and excpetion, 2011

RULE AND EXCEPTION, 2011. With David de Rozas. DV. 2’. Color   Human emotional manifestations are present in any transportation station. The before and the after, the departure and the arrival, the greeting and the farewell, sorrow and happiness, the

Rule and excpetion, 2011

RULE AND EXCEPTION, 2011. With David de Rozas. DV. 2’. Color   Human emotional manifestations are present in any transportation station. The before and the after, the departure and the arrival, the greeting and the farewell, sorrow and happiness, the

Caminemos junt@s, 2010

  Caminemos junt@s MUSAC, Leon. Spain. 2010. Workshop. Oct 2010. A tent constructed with clothes donated by inhabitants of Leon was built during a collective workshop. The tent was decorated with emancipation messages from the participants.     Caminemos junt@s.

Caminemos junt@s, 2010

  Caminemos junt@s MUSAC, Leon. Spain. 2010. Workshop. Oct 2010. A tent constructed with clothes donated by inhabitants of Leon was built during a collective workshop. The tent was decorated with emancipation messages from the participants.     Caminemos junt@s.

In transito, 2010

  In transito Serralves. Porto, Portugal. 2010     A COLLABORATION WITH: Gisela Díaz, Hajime Fujita, Lorenzo Martinelli, Claudia Mel, Igor Vasconcelos.   This project consists of a series of phrases installed in and around the staircase between floor 3 and

In transito, 2010

  In transito Serralves. Porto, Portugal. 2010     A COLLABORATION WITH: Gisela Díaz, Hajime Fujita, Lorenzo Martinelli, Claudia Mel, Igor Vasconcelos.   This project consists of a series of phrases installed in and around the staircase between floor 3 and

Global outfit, 2010

  GLOBAL OUTFIT. Outfit Exchange. One channel Video. 1 minute, sound and color. Cairo, Egypt. 2010.

Global outfit, 2010

  GLOBAL OUTFIT. Outfit Exchange. One channel Video. 1 minute, sound and color. Cairo, Egypt. 2010.

Plante bandera, 2007

  PLANTE BANDERA DVD. 18’25 min. Sound and Color. 2007   PLANTE BANDERA (I Planted the Flag) reconstructs the act of swimming from shore to shore. It refers to a hypothetical experience of crossing borders and claiming a territory by

Plante bandera, 2007

  PLANTE BANDERA DVD. 18’25 min. Sound and Color. 2007   PLANTE BANDERA (I Planted the Flag) reconstructs the act of swimming from shore to shore. It refers to a hypothetical experience of crossing borders and claiming a territory by

Gran perreton, 2004

  GRAN PERRETON DVD. 15 min. Sound and color. 2005. Dance competition. Rincón, 2004.   Perretón is a combination of words: Reggaeton, perreo and marathon. Reggaeton is a popular genre that comes from Puerto Rico, and combines Rap, reggae and

Gran perreton, 2004

  GRAN PERRETON DVD. 15 min. Sound and color. 2005. Dance competition. Rincón, 2004.   Perretón is a combination of words: Reggaeton, perreo and marathon. Reggaeton is a popular genre that comes from Puerto Rico, and combines Rap, reggae and

How to obtain a british passport, 2003

  HOW TO OBTAIN A BRITISH PASSPORT With Javier Mancera. Book. DVD. 22 min. Color-sound. London, 2003.   This video shows real and fake-acted footage, in a narrative way that depicts the whole situation of my convenience marriage. It goes

How to obtain a british passport, 2003

  HOW TO OBTAIN A BRITISH PASSPORT With Javier Mancera. Book. DVD. 22 min. Color-sound. London, 2003.   This video shows real and fake-acted footage, in a narrative way that depicts the whole situation of my convenience marriage. It goes

Ser caleño, 1999

  Ser caleño, 1999 Un sofa rojo ubicado a la sombrita en frente del MAM LA TERTULIA, fue el espacio donde entrevisté a unos 10 visitantes y transeúntes durante el día que duró el III Festival de Performance. Abordándo a

Ser caleño, 1999

  Ser caleño, 1999 Un sofa rojo ubicado a la sombrita en frente del MAM LA TERTULIA, fue el espacio donde entrevisté a unos 10 visitantes y transeúntes durante el día que duró el III Festival de Performance. Abordándo a

Street Museum, 1998 –2002

  STREET MUSEUM With Cambalache Collective*. Exchange project. Street barter. Object collection. Installation. Caracas, Turin, London, Bern, Istanbul, Madrid, Paris, Seville, Barcelona, San Juan, Ljubljana, Bogotá. 1998 –2002.   The street Museum is a barter and informal redistribution activity that

Street Museum, 1998 –2002

  STREET MUSEUM With Cambalache Collective*. Exchange project. Street barter. Object collection. Installation. Caracas, Turin, London, Bern, Istanbul, Madrid, Paris, Seville, Barcelona, San Juan, Ljubljana, Bogotá. 1998 –2002.   The street Museum is a barter and informal redistribution activity that

Carolina Caycedo

Quick cut, 1997-2000

  Quick cut Urban Intervention. 1997 -2000 QUICK CUT Urban Intervention. Mobile Hairdresser. Wooden box with wheels, mirror, foldable chair and hair dressing paraphernalia. VHS-PAL. 12 min. Color-sound. Bogotá, Ljubljana and Barcelona. 1997-2000. An itinerant hairdressing parlour that offers its

Carolina Caycedo

Quick cut, 1997-2000

  Quick cut Urban Intervention. 1997 -2000 QUICK CUT Urban Intervention. Mobile Hairdresser. Wooden box with wheels, mirror, foldable chair and hair dressing paraphernalia. VHS-PAL. 12 min. Color-sound. Bogotá, Ljubljana and Barcelona. 1997-2000. An itinerant hairdressing parlour that offers its