Category Archives: Collaborations

Geneology of a Struggle, 2017

Install View , Almost There, Vargas Museum. 2016 was the most dangerous year on record for environmental defenders. More than half of those killed came from just three countries, Brazil, Philippines, and Colombia (where I grew). All are home to

Geneology of a Struggle, 2017

Install View , Almost There, Vargas Museum. 2016 was the most dangerous year on record for environmental defenders. More than half of those killed came from just three countries, Brazil, Philippines, and Colombia (where I grew). All are home to

Águas Para A Vida, 2016

A un año de impunidad del crimen socio-ambiental cometido por Samarco (Vale/BHP Billiton), hacemos un llamado “Aguas Para la Vida, No Para La Muerte” en solidaridad con las comunidades afectadas del Rio Doce en Brasil. Um ano de impunidade no

Águas Para A Vida, 2016

A un año de impunidad del crimen socio-ambiental cometido por Samarco (Vale/BHP Billiton), hacemos un llamado “Aguas Para la Vida, No Para La Muerte” en solidaridad con las comunidades afectadas del Rio Doce en Brasil. Um ano de impunidade no

Beyond Control / Mas Alla del Control, 2013-2016

  Performers: Claudia Salamanca, Diego Fletcher, María Leubro, Andres Uribe, Carolina Caycedo and Jorge Caycedo. The choreographed movements of Beyond Control are constructed from visual and theoretical relationships that exist between the construction of dams, the containment of bodies of

Beyond Control / Mas Alla del Control, 2013-2016

  Performers: Claudia Salamanca, Diego Fletcher, María Leubro, Andres Uribe, Carolina Caycedo and Jorge Caycedo. The choreographed movements of Beyond Control are constructed from visual and theoretical relationships that exist between the construction of dams, the containment of bodies of

GEOCHOREOGRAPHIES

  G E O C H O R E O G R A P H I E S Communities along the Magdalena river affected by el Quimbo dam in Southern Colombia struggle to remain closely knit as a collective body,

GEOCHOREOGRAPHIES

  G E O C H O R E O G R A P H I E S Communities along the Magdalena river affected by el Quimbo dam in Southern Colombia struggle to remain closely knit as a collective body,

GEOCHOREOGRAPHY ORITOGUAZ, 2015

Images courtesy of Descolonizando La Jagua   GEOCHOREOGRAPHY ORITOGUAZ Yuma River, Huila/Colombia.   On Sunday 13 September, 2015, about 250 guardians and defenders of the territory met in the Puerta del Sol Beach on the Yuma (Magdalena) River in Oritoguaz, Huila-Colombia;

GEOCHOREOGRAPHY ORITOGUAZ, 2015

Images courtesy of Descolonizando La Jagua   GEOCHOREOGRAPHY ORITOGUAZ Yuma River, Huila/Colombia.   On Sunday 13 September, 2015, about 250 guardians and defenders of the territory met in the Puerta del Sol Beach on the Yuma (Magdalena) River in Oritoguaz, Huila-Colombia;

HUMANITARIAN AID FOR THE FIRST WORLD, 2015

  HUMANITARIAN AID FOR THE FIRST WORLD With Colectivo Cambalache Nuit Blanche Toronto, 2015 Do you believe in the solidarity of bartering? With the desire to overturn the concept and practice of humanitarian aid and offer a southern perspective on “disaster

HUMANITARIAN AID FOR THE FIRST WORLD, 2015

  HUMANITARIAN AID FOR THE FIRST WORLD With Colectivo Cambalache Nuit Blanche Toronto, 2015 Do you believe in the solidarity of bartering? With the desire to overturn the concept and practice of humanitarian aid and offer a southern perspective on “disaster

ONE BODY OF WATER, 2014

  ONE BODY OF WATER Performance Bowtie Project. Los Angeles. June 13th, 2015. One Body of Water is a new performance by artist Carolina Caycedo, developed in response to the Bowtie Parcel. One Body of Water intertwines the stories of three

ONE BODY OF WATER, 2014

  ONE BODY OF WATER Performance Bowtie Project. Los Angeles. June 13th, 2015. One Body of Water is a new performance by artist Carolina Caycedo, developed in response to the Bowtie Parcel. One Body of Water intertwines the stories of three

Expanding the River, 2014

Expanding the River, 2014 Workshop and Satellite Image Wight Gallery, UCLA   EXPANDING THE RIVER WORKSHOP SERIES Using the work of art as a pedagogical tool and transforming the gallery into a temporary working space, satellite images of the construction of

Expanding the River, 2014

Expanding the River, 2014 Workshop and Satellite Image Wight Gallery, UCLA   EXPANDING THE RIVER WORKSHOP SERIES Using the work of art as a pedagogical tool and transforming the gallery into a temporary working space, satellite images of the construction of

Humane materiale, 2013

      Installation view at Dispari & Dispari   Installation view at Dispari & Dispari   Made in collaboration with several local craftswomen and craftsmen, Humane Materiale II, is a video installation about contemporary and traditional crafts by Carolina

Humane materiale, 2013

      Installation view at Dispari & Dispari   Installation view at Dispari & Dispari   Made in collaboration with several local craftswomen and craftsmen, Humane Materiale II, is a video installation about contemporary and traditional crafts by Carolina

Offerings, 2011

OFFERINGS, 2011. Urban Intervention. 1000 screen printed candles / 12 designs and printed program booklets / 16 pages.   2009 Creative Time Summit: Revolutions in Public Practice Offerings Living as Form-Creative Time, NYC 2011.   A collaboration with members of

Offerings, 2011

OFFERINGS, 2011. Urban Intervention. 1000 screen printed candles / 12 designs and printed program booklets / 16 pages.   2009 Creative Time Summit: Revolutions in Public Practice Offerings Living as Form-Creative Time, NYC 2011.   A collaboration with members of

Rule and excpetion, 2011

RULE AND EXCEPTION, 2011. With David de Rozas. DV. 2’. Color   Human emotional manifestations are present in any transportation station. The before and the after, the departure and the arrival, the greeting and the farewell, sorrow and happiness, the

Rule and excpetion, 2011

RULE AND EXCEPTION, 2011. With David de Rozas. DV. 2’. Color   Human emotional manifestations are present in any transportation station. The before and the after, the departure and the arrival, the greeting and the farewell, sorrow and happiness, the

Caminemos junt@s, 2010

  Caminemos junt@s MUSAC, Leon. Spain. 2010. Workshop. Oct 2010. A tent constructed with clothes donated by inhabitants of Leon was built during a collective workshop. The tent was decorated with emancipation messages from the participants.     Caminemos junt@s.

Caminemos junt@s, 2010

  Caminemos junt@s MUSAC, Leon. Spain. 2010. Workshop. Oct 2010. A tent constructed with clothes donated by inhabitants of Leon was built during a collective workshop. The tent was decorated with emancipation messages from the participants.     Caminemos junt@s.

In transito, 2010

  In transito Serralves. Porto, Portugal. 2010     A COLLABORATION WITH: Gisela Díaz, Hajime Fujita, Lorenzo Martinelli, Claudia Mel, Igor Vasconcelos.   This project consists of a series of phrases installed in and around the staircase between floor 3 and

In transito, 2010

  In transito Serralves. Porto, Portugal. 2010     A COLLABORATION WITH: Gisela Díaz, Hajime Fujita, Lorenzo Martinelli, Claudia Mel, Igor Vasconcelos.   This project consists of a series of phrases installed in and around the staircase between floor 3 and

Open dj nights, 2010

  Open dj nights Bar Cucaramacara. Madrid, Spain. 2010. In Puerto Rico every bar has its “vellonera”. That’s what they call jukeboxes, because people used to puts coins in them to play a song. The praxis of the “vellonera” fascinates

Open dj nights, 2010

  Open dj nights Bar Cucaramacara. Madrid, Spain. 2010. In Puerto Rico every bar has its “vellonera”. That’s what they call jukeboxes, because people used to puts coins in them to play a song. The praxis of the “vellonera” fascinates

Global outfit, 2010

  GLOBAL OUTFIT. Outfit Exchange. One channel Video. 1 minute, sound and color. Cairo, Egypt. 2010.

Global outfit, 2010

  GLOBAL OUTFIT. Outfit Exchange. One channel Video. 1 minute, sound and color. Cairo, Egypt. 2010.

Day to day closure, 2009

    Day to day closure Frieze Projects. London, UK. 2009     DAYTODAY CLOSURE. 100 Books, Exchanges. I bartered 100 daytoday books during frieze Fair. The book served as a compilation of the last 7 daytoday barter years. Peole

Day to day closure, 2009

    Day to day closure Frieze Projects. London, UK. 2009     DAYTODAY CLOSURE. 100 Books, Exchanges. I bartered 100 daytoday books during frieze Fair. The book served as a compilation of the last 7 daytoday barter years. Peole

Day to day, 2002-2009

  DAYTODAY FLYER. LOS ANGELES, 2009.   DAYTODAY VIENNA, 2002.   DAYTODAY was a personal barter network that spanned over 7 years (2002-2009). Through an online site I offered all kind of services and objects in exchange for things I

Day to day, 2002-2009

  DAYTODAY FLYER. LOS ANGELES, 2009.   DAYTODAY VIENNA, 2002.   DAYTODAY was a personal barter network that spanned over 7 years (2002-2009). Through an online site I offered all kind of services and objects in exchange for things I

How to obtain a british passport, 2003

  HOW TO OBTAIN A BRITISH PASSPORT With Javier Mancera. Book. DVD. 22 min. Color-sound. London, 2003.   This video shows real and fake-acted footage, in a narrative way that depicts the whole situation of my convenience marriage. It goes

How to obtain a british passport, 2003

  HOW TO OBTAIN A BRITISH PASSPORT With Javier Mancera. Book. DVD. 22 min. Color-sound. London, 2003.   This video shows real and fake-acted footage, in a narrative way that depicts the whole situation of my convenience marriage. It goes

Street Museum, 1998 –2002

  STREET MUSEUM With Cambalache Collective*. Exchange project. Street barter. Object collection. Installation. Caracas, Turin, London, Bern, Istanbul, Madrid, Paris, Seville, Barcelona, San Juan, Ljubljana, Bogotá. 1998 –2002.   The street Museum is a barter and informal redistribution activity that

Street Museum, 1998 –2002

  STREET MUSEUM With Cambalache Collective*. Exchange project. Street barter. Object collection. Installation. Caracas, Turin, London, Bern, Istanbul, Madrid, Paris, Seville, Barcelona, San Juan, Ljubljana, Bogotá. 1998 –2002.   The street Museum is a barter and informal redistribution activity that